Download Music at the Extremes Essays on Sounds Outside the Mainstream, by Scott A. Wilson
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Music at the Extremes Essays on Sounds Outside the Mainstream, by Scott A. Wilson
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Away from the spotlight of the pop charts and the demands of mainstream audiences, original music is still being played and audiences continue to engage with innovative artists. This collection of fresh essays gathers together critical writing on such genres as Power Electronics, Black Metal, Neo-Folk, Martial Industrial, Hard-Core Punk and Horrorcore. The contributors report from the periphery of the music world, seeking to understand these new genres, how fans connect with artists and how artists engage with their audiences. Diverse music scenes are covered, from small-town New Zealand to Washington, D.C., and Ljubljana, Slovenia. Artists discussed include Coil, Laibach, Whitehouse, Insane Clown Posse, Wolves in the Throne Room, Turisas, Tyr, GG Allin and many others.
- Sales Rank: #4807420 in Books
- Published on: 2015-06-01
- Original language: English
- Number of items: 1
- Dimensions: 9.20" h x .50" w x 6.00" l, .0 pounds
- Binding: Paperback
- 276 pages
About the Author
Scott A. Wilson is a senior lecturer in the Department of Performing and Screen Arts at Unitec Institute of Technology in Auckland, New Zealand. He has published on topics as diverse as abjection and reality television, road safety advertising, and the role of monster movies in post-9/11 cinema. He lives in Auckland.
Most helpful customer reviews
0 of 2 people found the following review helpful.
People trying to prove how brilliant they are
By Scott Wilcox
Reading through this collection of essays, I was wondering "Who is this written for?" This is a collection of scholarly articles about various styles of extreme music. By scholarly, I mean mainly concerned with making tenuous connections to other branches of philosophy and barely mentioning the alleged subject matter. These seem to be the kind of writings that ten people produce only for each other to read. Now that is underground!
This book would probably be of interest to those with little knowledge of extreme music but who love footnotes and using three paragraphs to make a simple point. If you are looking for an in depth and critical look at the music of GG Allin, for instance (like I was), you will be sorely disappointed. 2 stars, only for academics looking for a sheen of danger on their usual term papers.
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