Selasa, 26 Maret 2013

[C620.Ebook] Download Cengage Advantage Books: Building a Speech, by Sheldon Metcalfe

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Cengage Advantage Books: Building a Speech, by Sheldon Metcalfe

With 19 chapters organized into five units, BUILDING A SPEECH, 8th EDITION guides students through the step-by-step process of developing public speaking skills through observation, peer criticism, personal experience and instructor guidance. Readings and exercises help students draft informative and persuasive speeches and improves their research and speechwriting skills. Topics such as apprehension and listening help students realize that they are not alone in their struggle to find the confidence to speak in public. BUILDING A SPEECH is grounded in the philosophy that students can master the steps of speech construction when provided with a caring environment, clear direction, and creative examples. Plus, this new Eighth Edition of BUILDING A SPEECH -- A Cengage Advantage Book -- continues the tradition of providing proven texts at lower prices.
Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

  • Sales Rank: #287160 in eBooks
  • Published on: 2012-01-01
  • Released on: 2012-01-01
  • Format: Kindle eBook

Review
"Building a Speech gives very thorough coverage to some speech areas that are neglected by other textbooks. It has a "reader friendly" writing style and a great chapter on conducting research."

"It is concise, it is inexpensive, and it covers the basic elements of the course in a fairly simple manner."

"Practical and yet grounded, this text is a good overall fit for nearly any public speaking course, regardless of approach."

About the Author
Dr. Metcalfe is the Chair of the Communications Department at the Community College of Baltimore County. He has taught the basic speech course for over 30 years. He is the author of two interactive CD-ROMs on speech training, a videodisc, and the Instructor's Manual to BUILDING A SPEECH, Seventh Edition. In addition to teaching, Dr. Metcalfe is a licensed private pilot, enjoys motorcycling during the warmer months, and playing the piano.

Most helpful customer reviews

1 of 1 people found the following review helpful.
great book
By kioko
This greatly deserves more that five stars. the price is amazingly cheap and the quality of the book i ordered came better than what i expected. It did take a while before it arrived, however it did make it before the due date. so yes. This book really is helping me a lot in how to construct a speech, giving me more info about forming an outline which is a huge help.

1 of 1 people found the following review helpful.
Easy to Understand with Relevant Examples
By Isabella Roland
I used this for my communications class to learn how to better organize and deliver my speeches. This book is written incredibly well. It uses several examples from famous speeches. It was nice to read a textbook that was applicable to the current time period.

1 of 1 people found the following review helpful.
... of Public Speaking Class and I found it very easy to read and super-informative
By NurseJackie
Bought this textbook for my Elements of Public Speaking Class and I found it very easy to read and super-informative. It included great analogies and examples, too!

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Senin, 25 Maret 2013

[E336.Ebook] Get Free Ebook Put Money in Thy Purse: Filming of Orson Welles' "Othello", by Micheal MacLiammoir

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Put Money in Thy Purse: Filming of Orson Welles'

The author first met Orson Welles in Dublin's Gate Theatre during the late 1930s, and established a long and stormy relationship with him. When the film of "Othello" was planned by Welles, the author was hired as Iago. This book is an account of the travails attendant on the production, which constantly ran out of money, and is also an acerbic and witty assessment of Welles himself.

  • Sales Rank: #3347475 in Books
  • Published on: 1994-04-21
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 258 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Wonderfully interesting account of the making of Orson Welles' "Othello"
By Katrina Mount
Wonderfully interesting account of the making of Orson Welles' "Othello". Great stories of Orson himself and his creative process by an industry insider who was deeply involved. Great fun.

0 of 0 people found the following review helpful.
Funny, insightful look at the making of Welles' "Othello"
By Cliff Burns
Orson Welles' 1952 film adaptation of OTHELLO was one of the most famously fraught movie productions ever. The initial financial backing collapsed, so Welles was forced to pay expenses out of his own pocket. Shooting was halted on several occasions, actors and crew sent home or, even worse, kept waiting in remote North African locations while bills for hotels and accommodations loomed. Meanwhile, the director-star would have jetted off somewhere to lend his talents to some production willing to pay through the nose for even a brief screen appearance by a living legend.

Welles tapped his old friend Michael MacLiammoir to play Iago to his Moor and it was an inspired choice. MacLiammoir's portrayal was superb and he was also on hand to document, via his daily diary, many of the travails and obstacles Welles faced. PUT MONEY IN THY PURSE is a warts and all depiction of Welles, we see his genius and his bluster and brutality as well. Yet somehow he was able to hold everything together, forge on with his film regardless of obstacles, and complete a truly cinematic and unique version out of an old chestnut, breathe life into the Bard, while so many other efforts fall by the wayside.

This book, along with Werner Herzog's CONQUEST OF THE USELESS, is an invaluable addition to any cineaste's collection, especially if they revere the films of Orson Welles and respect his gigantic and singular creative spirit. Difficult to find, almost impossible, in fact, which renders PUT MONEY IN THY PURSE, in my view, virtually priceless.

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Kamis, 21 Maret 2013

[O473.Ebook] Download Ebook The Christmas Collection: 53 Songs for Classical Singers - Low Voice (The Vocal Library Series), by Hal Leonard Corp., Richard Walters

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The Christmas Collection: 53 Songs for Classical Singers - Low Voice (The Vocal Library Series), by Hal Leonard Corp., Richard Walters

(Vocal Collection). This beautiful new volume in The Vocal Library is a large resource for classical singers of 63 songs for holiday services and events, designed for a lifetime of use. Contents include 26 Art Songs/Traditional Songs by composers such as Dello Joio, Bach, Debussy, Wolf, Niles, and including classics such as "Gesu Bambino," "O Holy Night," and "The Virgin's Slumber Song." This section also includes the complete song cycle Weihnachtslieder by Peter Cornelius. The 19 Christmas carols include 5 Alfred Burt carols, arrangements by John Jacob Niles and Harry T. Burleigh, and 14 arrangements by Richard Walters. There are 8 popular Christmas standards in arrangements especially for singers: "The Christmas Song," "The Christmas Waltz," "Do You Hear What I Hear?," "I Heard the Bells on Christmas Day," "I'll Be Home for Christmas," "The Most Wonderful Time of the Year," "Silver Bells," "White Christmas." The same song list appears in the High Voice and Low Voice volumes. The collection includes 3 duets.

  • Sales Rank: #457685 in Books
  • Brand: Hal Leonard
  • Model: 740154
  • Published on: 2002-11-15
  • Released on: 2002-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .67" w x 9.00" l, 2.07 pounds
  • Binding: Paperback
  • 192 pages
Features
  • 280 pagesSize: 12" x 9"Arranger: Richard WaltersISBN: 063403071X

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I'm sure the arrangements are beautiful and of musical quality
By Constantine (Gus) Vasiliadis
I'm sure the arrangements are beautiful and of musical quality, but all I was looking were Xmas carols in conventional 4-part arrangements in a lower voice. (Besides I could never keep this tightly bound album on the piano rack. Would that it were loose-leaf. )
No one in my family can persistently hit high "E"s. If such a collection exists may I return this classical concert version for such a family album for a bunch of baritone grandsons, a quintessential alto wife, and all the soprano relatives with creaky tops? GUS Vasiliadis

2 of 2 people found the following review helpful.
It would've been nice, too
By Reverend Skull
I don't know which low voices they had in mind, but most of these songs are too high for me to sing. I'm a bass, but haven't the high range for these arrangements. It would've been nice, too, if so large a book had been spiral bound in order to keep it open on the music stand or keyboard. It's nice that both religious and popular tunes are included.

1 of 1 people found the following review helpful.
Big Variety of Classical Solos for Low Voice.
By F. R. Wuensche
This book offers a big selection of classical low voice Christmas solos. I am very pleased with it, and think it is a good value

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Selasa, 19 Maret 2013

[N419.Ebook] Free Ebook Guerrilla Selling: Unconventional Weapons and Tactics for Increasing Your Sales

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Guerrilla Selling: Unconventional Weapons and Tactics for Increasing Your Sales

  • Sales Rank: #4421309 in Books
  • Published on: 1601
  • Binding: Paperback

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To the Bone (Anon.), by Diamond McKinney

The mysterious murder of Roxanne Carbone has the entire town of Bloomington Hills buzzing with whispers and accusations. Fingers are being pointed at Chelsea Clark in all directions, pinning her as the mastermind behind this gruesome death. But what really happened to Roxy the night she was killed? Find out in this chilling fast-paced prologue to "With Friends Like Me" and the eighth book in the growing "Anon." series.

  • Sales Rank: #708191 in eBooks
  • Published on: 2015-08-26
  • Released on: 2015-08-26
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
not my favorite
By Bethany
wish it was a little less repetitive. i felt like some POV's were unnecessary as all the dialogue within it were already covered by other character chapters. i understand that the point of the book was to focus on roxy but i expected a little bit more .. don't get me wrong, i liked it .. however, this is probably the only book that found myself not on the edge of my seat or begging for more.

0 of 0 people found the following review helpful.
Repetitive
By Kristene
I really wanted to love this book like I have all of the previous ones but I really disliked this one... Didn't read anything new in any chapter. I felt the previous book did a good job explaining what had happened. In this book every chapter I felt like I was suffering through... Blah blah I just read this in the last chapter.... Only difference is it was someone else's point of view. I felt like it wasn't needed at all. I'm sad that I didn't enjoy this book. I really hope the next one is better.

0 of 0 people found the following review helpful.
Great book
By Kami Z
Though I can agree with some other reviews of this book however I find that any book written by Diamond can be quiet mesmerizing and won't allow you to put it down. Its nice to see the whole back story of what really happened and learn more about Sam and Mallory. I do kind of like the change in perspectives from all the other books and has the same layout of the Summer of Our Lives which I very much enjoyed . thank you for writing 9 books for me to read over and over.

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Senin, 18 Maret 2013

[W742.Ebook] Download PDF The United Nations Security Council and War: The Evolution of Thought and Practice since 1945

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The United Nations Security Council and War: The Evolution of Thought and Practice since 1945

  • Published on: 2008-08-02
  • Binding: Unknown Binding

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Sabtu, 16 Maret 2013

[M633.Ebook] Download Ebook Vajrasattva: The Secret of the Four Wisdoms Trekcho, Togal and Bardo, by Richard Chambers Prescott

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Vajrasattva: The Secret of the Four Wisdoms Trekcho, Togal and Bardo, by Richard Chambers Prescott

This book answers the question to the most concealed practice in the Bardo Todol, commonly known as The Tibetan Book of the Dead. What is the true intent of the Secret of the Four Wisdoms Gathered into the Clear Hollow Mysterious Passage of Vajrasatva? After eliminating all other possibilities you will discover that Trekcho and Togal are the one answer to this mystery. The encounter with the Vajrasatva Mystery is an Imbedded Clue to Trekcho and Togal which reveal Clear Light Evenness, not only in the after death state, but equally in the living state. Trekcho, Letting Go and Togal, the Four Stages of Soaring On or Skull Crossing are the deepest secrets of Dzogchen, the Natural Great Completion. In Nyingma these are restricted secret practices kept from the public eye. Whereas, in the Kagyu school and Bonpo tradition these same methods are open to one and all. You are the decider on these two attitudes. Let your thought be lighted by the words of the Lion of the Sakyas, "Ananda? I have set forth the Dharma without making any distinction of esoteric and exoteric doctrine; there is nothing, Ananda, with regard to the teachings that the Tathagata holds to the last with the closed fist." I hope you will find the freedom of your own experience in the detailed observations and in depth examinations of these secret methods of Dzogchen. The text is in no way, nor tries to be a teaching text, a manual, nor a guidebook on Trekcho and Togal or Bardo, for I am in no way at all, a teacher, an expert nor a guide in these practices. Nor do I ever wish to be one. This essay is an answer to a life long question I have had since reading the Bardo Thodol as a young person. "What is the true meaning of Vajrasattva, the Mysterious Passageway and the Union of the Four Wisdoms?" It just so happens that after one goes through all possibilities of what this means one finally comes to the sacred secret teachings of Dzogchen's Trekcho, Togal and Bardo. So I have had to explain what little that I know about these special secret practices to answer the primary question this text attempts to answer. Why wade through the torrent of concepts on this when we can go directly to the clear, most reasonable and satisfactory answers that leave no shadow of hesitation? Vajrasattva stands for the Primordial Clear Light Void as Love and Compassion. The secret Mysterious Way of the pure Clear Passage of Vajrasatva is the Kati, running from the Heart to the Eyes. Within this Kati are the Four Lamps. From Clear Light, through the Open Kati these Lamps give forth an arising to the Four Togal Appearances. Since it is found in the highest wisdom texts from Dzogchen on Trekcho, Togal and Bardo and Tibetan's favorite book on guidance in the afterlife, it is worthy of taking a serious look.

  • Sales Rank: #3079054 in Books
  • Published on: 2014-02-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .75" w x 5.98" l, 1.25 pounds
  • Binding: Hardcover
  • 280 pages

About the Author
"Since the age of eight years, Richard Prescott has been intrigued by the ways, philosophies and religions of East Asia. His last book Mortal Grounding: Cosmology and Consciousness was published 2008. This presentation, named Vajrasattva: The Secret of the Four Wisdoms. On Trekcho, Togal and Bardo was finished in 2013. After fifty-three years of study this is the forty-second manuscript. As a young person he was amazed by the question this book embraces. He studied Tibetan Buddhism for forty-three years, the last six years, in concentrated research to find a satisfactory solution that this book hopes to answer. There are three events that signify his life. He was born on April Fool’s Day, so, his love for humor and to make others laugh, for there is spontaneous freedom in laughter. The blessing of being married to the love of his life, Sarah Elisabeth Grace, for thirty-two swift years. They now live a peaceful life in Northwest Washington near Puget Sound. Then creating these forty-two books since 1975, have been the very best delights of his life."

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10 of 12 people found the following review helpful.
This book embodies all the reasons Togal is not publicly discussed
By Diana
The publication of this book demonstrates all the reasons that advanced Dzogchen is not publicly discussed. While the author admits that the book reflects what he learned by reading rather than practice or from a teacher, the writing itself is the exact opposite of what would be useful for anyone really trying to learn Dzogchen.

Traditionally, one would have to practice dharma under a realized lama, who in addition to arranging for the various empowerments necessary to practice dzogchen, would assure that the practitioner had a thorough experience of each stage in the meditation, and would ask questions of the student every step of the way to assess the student's progress. This usually takes decades. The standards required before one would be qualified to write on the subject are far higher.

For anyone who has read a text written by a dzogchen practitioner, even if it is on an obstensibly unrelated subject such as poetry, the clarity and spaciousness of their perspective is immediately clear. This book has none of that, just confused assertions like a high school student trying to write an essay on something of which he has no experience. It seems the author's process for writing was to read everything that was easily available in English about khregschod and thodrgal and attempt to reduce it to a set of conceptual correspondences. Most of the writing consists of assertions such as 'kadag is tregchod' and 'all appearances are togal'. While some of these have a basis in Tibetan writings, others are the author's conjecture, and 100% of them entirely miss the point of Dzogchen. Approaching dzogchen from this perspective will create obstacles for anyone who attempts to learn authentic dzogchen after reading the book.

Even if one were to purchase this book to see the list of references, one would be disappointed. The author has included many texts from other, unrelated systems such as Kalachakra, and does not seem to have read many of the Dzogchen texts that have been translated under the direction of actual Dzogchen practitioners.

The attempt to reduce an experiential, largely nonconceptual practice such as dzogchen to an artificial web of concepts not only throws the baby out with the bathwater, but castrates the would-be practitioner from producing authentic dzogchen experiences in the future.

4 of 6 people found the following review helpful.
Fount of Nectar
By elisha_hermit
This is really quite a breath-taking sustained reverie that ultimately is a profound meditation, refined clearly through deep practice and realization, of some of the most subtle aspects of Tantra and Dzogchen with the latter being the ultimate focus of this amazing text. It is not someone with only intellectual or with passing conceptual interest in Buddhism, nor is it for those seeking a "how to" six steps guide. But if one comes to this work already having spent some time in the fires of transformation and with intimations of spontaneous presence and the vast illuminated void then meditating on this text--slowly-- will bear much fruit. It should be read several times, with each reading comes a deepening. This is a book that makes contact with infinity. If you are looking for an introduction go elsewhere but if you can move with some ease within the more nuanced aspects of Dzogchen teachings then Vajrasattva will open you to new levels of realization. There really is nothing else quite like this book. It will no doubt be misunderstood by many but will be a source of exquisite nectar for those who can read it with spaciousness.

16 of 26 people found the following review helpful.
No Secret: this is bad
By Karen Jones
Not for the Novice. I've been reading and studying Buddhism for over twenty years and yet I could not make sense of the writings/teachings in this book. It read as pompous and condescending; I found it and the author very irritating. It was almost as if the author was scolding the reader for even reading this book. I found nothing beneficial or inspirational in any word at all.

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Minggu, 10 Maret 2013

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  • Published on: 2010
  • Binding: Paperback

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Fundamentals of Object-Oriented Design in UML, by Meilir Page-Jones

Object technology is increasingly recognized as a valuable tool in application development, but what is not yet recognized is the importance of design in the construction of robust and adaptable object-oriented (OO) applications. With the recent introduction and widespread adoption of the Unified Modeling Language (UML), programmers are now equipped with a powerful tool for expressing software designs. Fundamentals of Object-Oriented Design in UML shows aspiring and experienced programmers alike how to apply design concepts, the UML, and the best practices in OO development to improve both their code and their success rates with object-based projects. In the first two chapters, best-selling author Meilir Page-Jones introduces novices to key concepts and terminology, demystifying the jargon, and providing a context in which to view object orientation. Part II is a practical and well-illustrated guide to UML notation and to building the most useful UML diagrams. Part III grapples with advanced topics in the testing and improvement of design quality, including connascence, level-2 encapsulation, and the use of state-space and behavior to assess class hierarchies. These design principl

  • Sales Rank: #1049192 in Books
  • Color: Cream
  • Published on: 1999-11-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.10" w x 7.30" l, 1.81 pounds
  • Binding: Paperback
  • 480 pages

From the Inside Flap
"You say you want some evolution. Well, you know, I'm just doing what I can."
-- Charles Darwin, On the Origin of Species

People who reviewed this book in its draft form had several questions for me, questions that perhaps you share. Let me address some of them.

I'm a programmer. Why should I care about design?

Everyone who writes code also designs code -- either well or badly, either consciously or unconsciously. My goal in writing this book is to encourage people working in OO -- and their number increases annually - to create good object-oriented designs consciously and prior to coding. To this end, I introduce notation, principles and terminology that you and your colleagues can use to evaluate your designs and to discuss them meaningfully with one another.

I'm not yet an OO programmer. Will this book teach me an OO programming language?

No. Although I occasionally swoop down close to code, this isn't a book on object-oriented programming.

But if I'm learning an object-oriented language, will this book help?

Yes, it will. If you don't currently know an object-oriented programming language, you can begin your object-oriented knowledge with Chapter 1. Knowing the key concepts of object orientation will speed your learning an object-oriented language and, I hope, boost your morale as you move into unfamiliar territory. The later chapters of the book, on sound design, will also help you in getting your early programs to work successfully. On the other hand, if you're already an experienced object-oriented programmer, you can use Parts II and III of the book to enhance the design skills that are vital to your being a rounded, professional software designer or programmer.

Why aren't the code examples in this book in C++?

I've written the code in this book in a language of my own devising, which is a blend of four popular languages: C++, Eiffel, Java and Smalltalk. I did this because there are two kinds of programmers: those who are fluent in C++ and those who aren't. If you're a C++ aficionado, then you'll find the code a breeze to translate into C++. If you're not familiar with C++, then you might have found the language's arcane syntax getting in the way of the examples. I'd like you to feel welcome in this book whatever your programming language might be.

However, there is a fragment of Java in this book. I used Java because it's more accessible to a non-Java programmer than C++ is to a non-C++ programmer. Why isn't this book devoted to the design of windows, icons and menus? There are two reasons: First, I don't believe that object orientation is useful only for the design of graphical user interfaces. Second, there are many books on the market devoted solely to the topic of object-oriented window design. I want this book to cover topics that are not well covered by the other object-oriented books on the market. However, in Chapter 7 I offer some notation for window-navigation design.

Is this book about a methodology?

No. As you know, a development methodology contains much more than design. For example, there's requirements analysis, library management and so on. Also, a true methodology needs to explain how the various development activities fit together. A lot of stuff!

So, instead of turning out a book as diffuse as many other books on object orientation, I decided to focus on a single topic: object-oriented design.

You've said a lot about what this book isn't about. What is it about?

It's about the fundamental ideas, notation, terminology, criteria and principles of object-oriented software design. Object-oriented software is software that comprises objects and the classes to which they belong. An object is a component in which methods (which are like functions or procedures) are organized around a set of variables (which are like data). A class implements a type defining the group of objects that belong to that class. The above modest sentences hold some surprising implications for software designers and programmers, implications that arise from the design concepts of inheritance, polymorphism and second-order design. But, since you asked a specific question, let me give you a specific answer.

Part I of the book (Chapters 1-2) provides an introduction to object orientation. Chapter 1 summarizes the key concepts and demystifies "polymorphism," "genericity," and all the other OO jargon. Chapter 2 sets object orientation into the framework of previous developments in software. If you're already familiar with object orientation (perhaps by having programmed in an object-oriented language), then you can skip or skim Part I.

Part II (Chapters 3-7) covers the Unified Modeling Language (UML), which has become the de facto standard notation for depicting object-oriented design. In passing, Part II also illustrates many of the structures that you find in object-oriented systems. Chapter 3 introduces the UML for depicting classes, along with their attributes and operations. Chapter 4 covers UML for hierarchies of subclasses and superclasses, associations, and aggregate and composite objects. Chapter 5 sets out UML for messages (both sequential and asynchronous), while Chapter 6 covers UML for state diagrams. Chapter 7 reviews UML for system architecture and the windows that form a human interface.

Part III (Chapters 8-14) covers object-oriented design principles in some depth. Chapter 8 sets the scene with the crucial notions of connascence and level-2 encapsulation. Chapter 9 explores the various domains that "classes come from" and describes different degrees of class cohesion. Chapters 10 and 11 form the central pillar of Part III, using the concepts of state-space and behavior to assess when a class hierarchy is both sound and extendible. Chapter 12 offers some light relief, as it examines designs taken from real projects, including both the subtle and the absurd. (Chapter 12 is really about the dangers of abusing inheritance and polymorphism.) Chapter 13 looks at some ways of organizing operations within a given class, and explains design techniques such as mix-in classes and operation rings that will improve class reusability and maintainability. Chapter 14 rounds off the book by taking a stab at the old question: "What makes a good class?" In answering this question, Chapter 14 describes the various kinds of class interface, ranging from the horrid to the sublime. A class with an exemplary interface will be a worthy implementation of an abstract data-type. If the class also obeys the fundamental principles laid out in earlier chapters, then it will be as robust, reliable, extensible, reusable and maintainable as a class can ever be.

Chapter 15 traces the development of an object-oriented component for a business application. In following the component's construction, I recall some of the object-oriented principles of the previous chapters. Although I've added plenty of examples, diagrams and exercises to reinforce what I say in the main text, I must admit that the material in Part III gets tough at times. Nevertheless, I decided not to trivialize or dilute important issues. Some aspects of object-oriented design are difficult and to suggest otherwise would be to patronize you. Anyway, I know you can take it!

Does this book cover everything in object-oriented design?

I very much doubt it. Each day, I learn more about object orientation, and I'm sure you do too. Indeed, it would be a dull world if a single book could tell us everything about object-oriented design and leave us with nothing more to learn. And everything in this book may not be completely true! I certainly changed my mind about one or two things after I wrote my previous books, as I became older and wiser -- well older, anyway.

So, although I think that I've covered many important design principles in this book, if you're serious about object orientation you should continue to read as much as you can and always challenge what you read.

Do you offer courses on object-oriented design?

Yes, we offer several courses on object-oriented topics. Our curriculum continually changes, so check out waysys for our latest offerings.

Bottom-line, as they say: Is this book for me?

What kind of question is that? You expect me to say "No!"? But seriously, folks, this book's for you if you are -- or are about to become -- a programmer, designer, systems engineer or technical manager on a project using object-oriented techniques. Even if you're a beginner to object orientation, you can glean a lot from this book by reading Part I, practicing some object-oriented programming and then returning to Parts II and III.

You should also read this book if you're a university student or professional programmer who has mastered the techniques of standard procedural programming and is looking for wider horizons. Much of the book's material is suitable for a final-year computer-science or software-engineering course in object orientation.

But, whatever your role in life, I hope that you enjoy this book and fin

From the Back Cover

Object technology is increasingly recognized as a valuable tool in application development, but what is not yet recognized is the importance of design in the construction of robust and adaptable object-oriented (OO) applications. With the recent introduction and widespread adoption of the Unified Modeling Language (UML), programmers are now equipped with a powerful tool for expressing software designs. Fundamentals of Object-Oriented Design in UML shows aspiring and experienced programmers alike how to apply design concepts, the UML, and the best practices in OO development to improve both their code and their success rates with object-based projects.

In the first two chapters, best-selling author Meilir Page-Jones introduces novices to key concepts and terminology, demystifying the jargon, and providing a context in which to view object orientation. Part II is a practical and well-illustrated guide to UML notation and to building the most useful UML diagrams. Part III grapples with advanced topics in the testing and improvement of design quality, including connascence, level-2 encapsulation, and the use of state-space and behavior to assess class hierarchies. These design principles are explained and demonstrated without reference to any one design methodology so that they are easily accessible and applicable in a variety of contexts. Programmers and designers learn how to assess and enhance their work as the author walks them through the evaluation of designs taken from actual projects and the realistic example that ends the book.

Readers will come away with a better understanding of object-oriented concepts and of how to design and develop the high-quality software their clients need.



020169946XB04062001

About the Author

Meilir Page-Jones is President and Senior Consulting Methodologist at Wayland Systems, and has extensive experience in training, consulting, and hands-on system development. He created several of Wayland's courses on object-oriented software engineering and project management, including The Synthesis Method for Object-Oriented Systems Development and Analysis and Design for Client/Server Systems Development. Formerly the head of the Structured Design Department at Yourdon Inc., Meilir wrote the best-selling Practical Guide to Structured Systems Design and Practical Project Management. He has also written numerous articles for the Journal of Object-Oriented Programming, Object Magazine, Software Development Magazine, and Computerworld, and has spoken at many conferences, including OOPSLA, Software Development, and Object Expo.



020169946XAB04062001

Most helpful customer reviews

44 of 47 people found the following review helpful.
Pragmatic Fundamentals -- distilling the accumulated wisdom
By Angel E. Rodriguez
Who should read this book: Senior Programmers and Systems Analysts.
This book can be very valuable anyone who builds Object-Oriented computer programs, and anyone building computer programs either is or soon will be using Object-Oriented tools. Although it focuses on the Unified Modeling Language, a standard for most Computer-Aided Software Engineering tools, I found the real value of the book to be in the lucid explanations of principles of good software analysis and design, even more than in the nuts and bolts of UML. Dr. Page-Jones' style continues to combine well-researched information with down-to-earth pragmatism and a delightfully irreverent tone towards those who take this business (or themselves) way too seriously.
Who am I? I am a computational physicist turned systems analyst, with almost 20 years experience developing complex codes for scientific modeling and analysis, now working on real-time defense systems. I have been technical lead and mere contributor, subcontractor and lead contractor. My passion is for tight modular designs that facilitate high-reliablility code.
Part I, Introduction, gives excellent working definitions of the main concepts generally considered part of "Object Orientation" in a way that should be useful even to those beginning to use an OO language, and a historical perspective that helps explain why some issues are still messy.
Part II gets into the "nuts and bolts" of UML itself, of necessity illustrating many key concepts along the way. Even if you never use a CASE tool, the ability to discuss design issues using accepted "standard" diagrams will help you think through the key issues, communicate your ideas more clearly, and ultimately develop better designs. Better designs will not only avoid headaches in the implementation, but also guide the coding effort by making it clearer what the goals are.
Part III, the Principles of Object-Oriented Design, is worth the price of the book all by itself. Meilir's style helps you get through the big words by reminding you that that they are generalizations of common sense. For example, "connaissance" is basically old-fashioned "coupling": the more Module X's correct execution depends on details in Module Y, the more chances for mistakes. The OO quality of "encapsulation" helps you minimize it, whatever you call it. The old-fashioned concept of "coherence" becomes "cohesion": if everything a module does supports a well-understood single purpose, it is less likely there will be confusion or duplication. Do you hate a utility because you need to know so many stupid implementation details to use it properly? Don't lamely whine "I just don't like it!" when you can impress everyone by showing that it has an unjustifiably high "encumbrance."
The book is full of sound principles illustrated with real-world examples. If your gut has ever told you a proposed action was a bad idea, but you didn't know how to express your misgivings, the sound principles in this book will help you put your finger on what is wrong and why. Even if you don't care to use the impressive academic-sounding terms for them, the principles will help you become a more effective, persuasive member of your team. And even if you ARE the whole "team," they will keep you out of trouble.

30 of 31 people found the following review helpful.
Instructive, Thoughtful, and Compelling
By Thomas E. Denham
Fundamentals of Object-Oriented Design in UML is a friendly book. I enjoyed it. Meilir Page-Jones maintains a wry sense of humor while threading through the intricacies of OO development in a clear, instructive fashion. The book really does have something for new and experienced programmers alike.
The first two sections of the book are most accessible to those with little programming experience. These sections introduce object orientation and provide a review of the most useful Unified Modeling Language notations while illustrating their use in software design work. But throughout the book the author examines critical principles in such a way that the most experienced software designers will be challenged to reconsider assumptions and habits and to look more critically at their work. The third section of the book is not completely accessible to readers without substantial development experience but even so has enough to offer that it should not be skipped by the newcomer to coding.
In my opinion this book is more about design than UML. If you want an introduction to UML it might make more sense to read Sams Teach Yourself UML in 24 Hours. The introduction to UML in Page-Jones' book is good enough to be your first look at UML but it is not comprehensive and it is oriented to illustrating design principles. This is an excellent book to start with and I would recommend reading it before anything else on UML. And I cannot imagine a better book for introducing object-oriented design. The author has a long track record in structured design and he frequently relates OO to SD concepts. The book is language independent but weighted toward C++. I only speak Java and had a little trouble with the concept of parameterized classes because they don't exist in my frame of reference but this was a very minor problem.

31 of 33 people found the following review helpful.
Displays a healthy perspective on Object-Oriented Design
By Tom Charlton
The major portion of my information technology career of fourteen years has been based in structured design and programming. I've spent the last few years programming in Visual Basic, which is object-based. I've also done a modicum of programming with object-oriented languages (C++ and Java). I jumped into OO programming before taking any design courses (sound familiar?) and eventually felt compelled to remedy the situation by reading a book on OOD. Meilir Page-Jones' book was not a disappointment. I believe that designers and programmers of all experience levels can benefit from reading his book. Newcomers will get the right introduction to OOD while experienced developers will be challenged to reexamine their approach to software construction.
"Fundamentals of Object-Oriented Design" is composed of three parts. In part 1 the author provides an overview of Object-Oriented Design (OOD) by defining key terms and then providing a brief summary of the evolution of software development. This orientation prepares the reader for the rest of the discussions in the book. Part 2 is a summary of the most often used portions of UML syntax. It's not intended to be an exhaustive description. He leaves out those parts of the language that are used infrequently. Part 3 is a compendium of principles of object-oriented design.
The salient benefits of the book are the clear, cogent arguments Mr. Page-Jones articulates in support of the principles he espouses, which are rooted in a very practical approach toward software development. Among other things, you can use most of the principles as bases for code reviews. He also peppers the discussions with entertaining anecdotes, realizing that this heavy stuff needs periodic comic relief. His definitions of OO terminology are concise and he avoids unnecessary abstractions.
I recommend that you add this book to your reference library. There are many zealots for OOD and this book helps to put things in their proper perspective.

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[O873.Ebook] PDF Download Abby and the Cute One (Backstage Pass), by Erin Butler

PDF Download Abby and the Cute One (Backstage Pass), by Erin Butler

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Abby and the Cute One (Backstage Pass), by Erin Butler

"A great finale to the series which I have no hesitation in recommending to anyone who'd like to explore behind the scenes life for a boy band as well as escape into a well written romance." -Elaine, Splashes into Books

Every member of Seconds to Juliet has a girlfriend—except for Nathan Strong. Now the band's manager is leaning hard on "The Cute One" to play the role of the band's heartthrob. With the band's sales in decline, it's up to Nathan to keep the fans' fantasy alive.

The plan is to stage a fake relationship and a fake breakup, and then let the fans fight to be the one to mend Nathan's broken heart. Just one problem. There's another girl in the picture-one Nathan can't stay away from. In private, Nathan's stealing kisses with the band's new opening act, Abby Curtis.

If they're caught, no one wins. Abby will be fired, and the band might not recover the success they need to survive. But even with the pressure mounting, Nathan and Abby can't stop themselves from stealing one more touch, one more kiss. And it's only a matter of time before it all falls apart.

Disclaimer: This Entangled Teen Crush book is as forbidden as the secret romance it contains! It has hot kisses, graphic language, and extreme misbehaving. DO NOT GET CAUGHT WITH THIS BOOK…unless you want everyone to know you believe in true love...

Each book in the Backstage Pass Series is a standalone, full-length story that can be enjoyed out of order.
Series Order:
Book #1 - Aimee and the Heartthrob
Book #2 - Mia and the Bad Boy
Book #3 - Daisy and the Front Man
Book #4 - Anya and the Shy Guy
Book #5 - Abby and the Cute One

  • Sales Rank: #347510 in eBooks
  • Published on: 2015-11-16
  • Released on: 2015-11-16
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent book to read in one sitting!
By BookWorm221
Such a fun, cute, lighthearted book, the perfect book to get you to get lost in the story of two teens falling in love for the first time.

Abby and Nathan are two sixteen year old pop stars, Nathan is part of a famous band and Abby is just getting started as their opening act in their tour. Needless to say from the moment they meet, there are sparks flying around all over the place, the connection is instantaneous and the both just can't stop it from unfolding, even if they both have other responsibilities first.

This is the first book I've read of this series, but they all sound amazing so I might give them a read as well.

0 of 0 people found the following review helpful.
So cute and romantic!
By The Tale Temptress
I've been a big fan of the Backstage Pass series since the very first book, and have thoroughly enjoyed each installment. I've been eagerly anticipating Nathan's story, because he's the one I felt like I knew the least about. He's more quiet, the youngest, and hasn't really taken center stage, so to speak, in the overall plot so far. This book didn't disappointment.

I loved Nathan immediately. He's so sweet and cute. I hated the situation he now finds himself in. All the other guys in the band have girlfriends, so the pressure is on for him to be the "dateable" one, the one people still have a chance with. Thus, he has to go on dates with celebrity girls he isn't even interested in. I know this happens in real life. You know all those celebrity marriages that occur and last a year or less? They were probably PR setups. I felt really bad for Nathan because of this situation, for him to have to hold the entire bag when what he really wants is a more simple girl, down to earth. He finds that in Abby.

Abby was so sweet, talented, and what I thought was a perfect match for Nathan. They meet very early in the story,and they had what I would describe as a "meet cute". I won't spoil it for anyone, but I will say that I was on board with their romance from the first few pages. She's got a YouTube following and is auditioning to be the opening act for Seconds to Juliet. Only problem is, once she's there, she's pretty much forbidden ground for Nathan in all respects.

I loved the conflict in this story, the way PR people try to dictate a celebrity's every move. And I loved the romance. I can't go into more detail without ruining something for those who haven't read it. But the author did a fabulous job giving this book depth inside a cute story, and for ending out this great series with a wonderful installment. Loved it.

0 of 0 people found the following review helpful.
A cute and charming ending to a wonderful series!
By Rachel
I have absolutely adored the Backstage Pass series from Entangled Crush. Truthfully, I've loved it so much that I'm not at all prepared to let it go. I just think it was such a clever idea to have five different authors write this series revolved around a boy band, with each book focusing on another member's love story. The last book is from author Erin Butler and she tells the story of the final and youngest member of Seconds to Juliet. Nathan is the only single member left in the band, and he has a lot of pressure placed on him to keep up his cute boy image. I loved Nathan and Abby as individuals and I loved them even more as a couple. This was a beautiful love story and I'm so glad that I read this awesome and memorable series!

In the previous books, the couples had a kind of love/hate relationship at the beginning. There was never REALLY any insta-love going on, though there was tension between Matt and Anya from the beginning. Anyway, Abby and Nathan kiss the first time that they meet. This bothered me a little bit at first just because things seemed to be moving way too fast, but somehow Butler still made this work. Even though they did kiss right away, there was still a lot of things getting in the way of them being together. You couldn't help but cheer for them as a couple because they were such likable characters on their own. They had a lot in common, they both had an undeniable love for music and I personally loved that mutual bond between them.

I found the business side of the band to be really fascinating. There's a lot that goes into being on tour and I feel like Butler showed that really well. However, I did find the manager to be extremely irritating honestly, I just craved Nathan to have more freedom regarding his image. Being a teenager alone is already difficult, I can't even imagine what it would be like being a FAMOUS teenager who's constantly in the spotlight. I thought Abby was a great character and I really felt how much she wanted to be on the stage. Though I liked her, I felt like there could have been even more exploration with her character. I felt like Nathan's development was well done, but Abby's wasn't as great.

I recommend reading the other books in the series before you pick up this one. Yes, you don't absolutely have to, but I feel like you'll have more of an investment in these characters and their stories if you do. I was sad when I hit the last page, but I was completely satisfied with the ending and felt like Butler wrapped everything up in the best way she could.

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